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dc.contributor.authorStampe, Tyler James
dc.date.accessioned2018-09-29T04:30:13Z
dc.date.available2018-09-29T04:30:13Z
dc.date.issued2018-05
dc.identifier.otherstampe_tyler_j_201805_dma
dc.identifier.urihttp://purl.galileo.usg.edu/uga_etd/stampe_tyler_j_201805_dma
dc.identifier.urihttp://hdl.handle.net/10724/38568
dc.description.abstractThe first part of this document presents a new composition, The Tell-Tale Heart for baritone voice and wind ensemble, using prose from the short story of the same name by Edgar Allan Poe. This composition, along with Arnold Schoenberg’s A Survivor from Warsaw and Samuel Barber’s Knoxville: Summer of 1915, is then analyzed with a scansion model derived from the research of Peter Groves that shows word and syllable stress. This research also compares these scansion models to the musical adaptation of the text settings. This allows for discussions about occurrences of mobile accents or other effects that arise when the musical adaptation and the scansion differ, which can contribute to considerations of musical interpretation.
dc.languageeng
dc.publisheruga
dc.rightspublic
dc.subjectArnold Schoenberg
dc.subjectEdgar Allan Poe, James Agee
dc.subjectSamuel Barber
dc.subjectscansion
dc.subjectPeter Groves
dc.subjecttext setting
dc.subjectinterpretation
dc.titleText and scansion in Schoenberg’s a survivor from Warsaw, Barber’s Knoxville
dc.title.alternativesummer of 1915, and Stampe’s the tell-tale heart
dc.typeDissertation
dc.description.degreeDMA
dc.description.departmentSchool of Music
dc.description.majorMusic
dc.description.advisorAdrian Childs
dc.description.committeeAdrian Childs
dc.description.committeeRebecca Simpson-Litke
dc.description.committeePeter Lane


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