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dc.contributor.authorKeegan, Jordan
dc.date.accessioned2016-10-20T04:30:20Z
dc.date.available2016-10-20T04:30:20Z
dc.date.issued2016-05
dc.identifier.otherkeegan_jordan_201605_ma
dc.identifier.urihttp://purl.galileo.usg.edu/uga_etd/keegan_jordan_201605_ma
dc.identifier.urihttp://hdl.handle.net/10724/36207
dc.description.abstractThis thesis combines the research of Jill Sullivan and Sherrie Tucker to explore the full impact of all-girl civilian and military bands of World War II. History books promote Benny Goodman, Glenn Miller, Duke Ellington, and Fletcher Henderson as the leaders of swing music. In reality, all-female groups such as Ina Ray Hutton and Her Melodears, the International Sweethearts of Rhythm, and Ada Leonard’s All-American Girls, among the other multitudes of all-girl bands, regularly performed swing music. The women of swing are frequently ignored by scholars, creating an absence of women’s history within not only this musical style but also the genre of jazz. Recently, however, scholars such as Sherrie Tucker and Jill Sullivan have contributed to a new field of study: gender studies in jazz music. This thesis continues the conversation in an emerging field of study and contextualizes the impact of all-girl jazz bands during World War II.
dc.languageeng
dc.publisheruga
dc.rightspublic
dc.subjectAll-Girl jazz bands
dc.subjectAll-Girl military bands
dc.subjectWorld War II
dc.subjectGreat Depression
dc.subjectswing music
dc.subjectAnna Mae Winburn
dc.subjectInternational Sweethearts of Rhythm
dc.subjectAda Leonard’s All-American Girls
dc.subjectand Thelma White’s All-Girl Orchestra.
dc.titleThe gender of jazz
dc.title.alternativecontextualizing all-girl bands of World War II
dc.typeThesis
dc.description.degreeMA
dc.description.departmentSchool of Music
dc.description.majorMusic
dc.description.advisorStephen Valdez
dc.description.committeeStephen Valdez
dc.description.committeeSusan Thomas
dc.description.committeeEmily Gertsch


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