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dc.contributor.authorKropp, Evan Louis
dc.date.accessioned2014-10-01T04:30:18Z
dc.date.available2014-10-01T04:30:18Z
dc.date.issued2014-05
dc.identifier.otherkropp_evan_l_201405_phd
dc.identifier.urihttp://purl.galileo.usg.edu/uga_etd/kropp_evan_l_201405_phd
dc.identifier.urihttp://hdl.handle.net/10724/30509
dc.description.abstractThis dissertation investigates the potential influence of Social Television activities on television production and content. A case study approach, using interview, observation and textual analysis methods, investigates the popular television show Bones. Social TV is situated as being a useful production tool and a device that empowers viewers to socialize together and speak back to production. Findings indicate that although production personnel deny that they would change their show based on fan feedback, there are subtle but important changes occurring in production practices that do result in fan influence on content and the way the show is made.
dc.languageeng
dc.publisheruga
dc.rightspublic
dc.subjectSocial television, Bones, social media, production studies, audience, power, connected viewing
dc.titleSocial TV
dc.title.alternativeviewer interactions with television production : the case of Bones
dc.typeDissertation
dc.description.degreePhD
dc.description.departmentGrady College of Journalism and Mass Communication
dc.description.majorMass Communication
dc.description.advisorJeffery Jones
dc.description.committeeJeffery Jones
dc.description.committeeHorace Newcomb
dc.description.committeePeggy Kreshel
dc.description.committeeCarolina Acosta-Alzuru


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