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dc.contributor.authorFlemming, Theresa Marie
dc.date.accessioned2014-05-16T04:30:23Z
dc.date.available2014-05-16T04:30:23Z
dc.date.issued2013-12
dc.identifier.otherflemming_theresa_m_201312_ma
dc.identifier.urihttp://purl.galileo.usg.edu/uga_etd/flemming_theresa_m_201312_ma
dc.identifier.urihttp://hdl.handle.net/10724/29767
dc.description.abstractIndividuals forced to submit to the mechanisms totalitarian states employ to control their citizens find their identities, sense of reality and ability to act threatened. The expressive potentials afforded by the fantastic prove invaluable as they strive to articulate the surreal atmosphere and states of mind manifesting in such environments. Defamiliarized representations of the mundane similarly allow them to “re-enchant” social and physical landscapes against which they have had to protectively anesthetize themselves. This analysis will explore the balance maintained between the mundane and the fantastic that filmmakers develop to portray the living environment and subjective inner life of those experiencing totalitarian rule. Focusing on films that utilize science fiction and magical realism, it will concentrate on the states of consciousness invoked in viewers by these techniques, and experienced by citizens of regimes as they make sense of the forbidden aspects of their natures in a re-imagined space.
dc.languageeng
dc.publisheruga
dc.rightspublic
dc.subjectTotalitarianism, magical realism, science fiction, reverie, subjectivity, the fantastic, Arendt, Bachelard, Morin, Diaz, Erice, Marker, Weerasethakul
dc.titleSubjectivity and the fantastic in cinematic representations of totalitarian states
dc.typeThesis
dc.description.degreeMA
dc.description.departmentComparative Literature
dc.description.majorComparative Literature
dc.description.advisorDorothy Figueira
dc.description.committeeDorothy Figueira
dc.description.committeeHyangsoon Yi
dc.description.committeeThomas Peterson


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