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dc.contributor.authorDillard, Leigh Grey
dc.date.accessioned2014-03-04T22:01:13Z
dc.date.available2014-03-04T22:01:13Z
dc.date.issued2002-12
dc.identifier.otherdillard_leigh_g_200212_ma
dc.identifier.urihttp://purl.galileo.usg.edu/uga_etd/dillard_leigh_g_200212_ma
dc.identifier.urihttp://hdl.handle.net/10724/29411
dc.description.abstractWhile the connection between a writer and illustrator appears quite commonly in the literary tradition, the interaction between Henry Fielding and William Hogarth is governed by a different set of circumstances and often resembles a dialogue. The conversation between these two artists appears most notably in Fielding’s references in Tom Jones to Hogarthian characters, particularly those from A Harlot’s Progress, A Rake’s Progress, and The Four Times of the Day series. Beyond these specific references, the conversation continues with similarities in didactic style and artistic intent as reflected in Hogarth’s treatise The Analysis of Beauty and Fielding’s instructive introductory chapters. Through this interaction, the two artists compliment each other’s works, demand an active audience, and address their critics while presenting themselves as recorders of history.
dc.languageFielding and Hogarth : a conversation in historical narrative
dc.publisheruga
dc.rightsOn Campus Only
dc.subjectWilliam Hogarth
dc.subjectHenry Fielding
dc.subject_Tom Jones_
dc.subject_A Harlot\'s Progress_
dc.subject_The Distrest Poet_
dc.subject_The Analysis of Beauty_
dc.subjectConversation in narrative
dc.subjectNature
dc.subjectHistorical narrative
dc.subjectSatire
dc.subjectNarrative art
dc.titleFielding and Hogarth : a conversation in historical narrative
dc.typeThesis
dc.description.degreeMA
dc.description.departmentEnglish
dc.description.majorEnglish
dc.description.advisorElizabeth Kraft
dc.description.committeeElizabeth Kraft
dc.description.committeeNelson Hilton
dc.description.committeeMichael Moran


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