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dc.contributor.authorDean, Terry Lynn
dc.date.accessioned2014-03-04T22:01:11Z
dc.date.available2014-03-04T22:01:11Z
dc.date.issued2002-12
dc.identifier.otherdean_terry_l_200212_ma
dc.identifier.urihttp://purl.galileo.usg.edu/uga_etd/dean_terry_l_200212_ma
dc.identifier.urihttp://hdl.handle.net/10724/29407
dc.description.abstractSergey Prokofiev’s They Are Seven remains one of the composer’s most enigmatic and neglected works. The work was strongly influenced by the creative aesthetic of the poet who supplied the text for the work, as well as Russian primitivism. This study attempts to reassess the significance of They Are Seven for Prokofiev’s compositional career through examining the symbiotic relationship between Prokofiev’s choice of medium and the primitivist aesthetic that governs the musical style of the work.
dc.languageSergey Prokofiev's They are seven : a mystical-primitivist cantata and its placement in the Russian cantata tradition
dc.publisheruga
dc.rightsOn Campus Only
dc.subjectProkofiev
dc.subjectBalmont
dc.subjectPrimitivism
dc.subjectScythianism
dc.subjectCantata
dc.subjectAsafyev
dc.subjectIncantation
dc.titleSergey Prokofiev's They are seven : a mystical-primitivist cantata and its placement in the Russian cantata tradition
dc.typeThesis
dc.description.degreeMA
dc.description.departmentMusic
dc.description.majorMusic
dc.description.advisorDavid Haas
dc.description.committeeDavid Haas
dc.description.committeeDavid Schiller
dc.description.committeeAdrian Childs


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