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dc.contributor.authorWiley, W Brett
dc.date.accessioned2014-03-04T22:00:33Z
dc.date.available2014-03-04T22:00:33Z
dc.date.issued2002-08
dc.identifier.otherwiley_w_b_200208_ma
dc.identifier.urihttp://purl.galileo.usg.edu/uga_etd/wiley_w_b_200208_ma
dc.identifier.urihttp://hdl.handle.net/10724/29350
dc.description.abstractThe relationship between religion and aesthetics is a complicated and turbulent one. Though art and religion seemed to be connected during the medieval period and into modern times, a great division eventually resulted from the heightened significance of the artist and art itself and from the loss of absolutes and a general mistrust of religion. However, during the postmodern era, a new group of Christian aesthetes described again a Christian aesthetic that not only expresses an inherent connection between art and religion but also presents the hope of restoration to the forlorn condition of humanity in Western culture and the world.
dc.languageReligion, the arts, and the artist : a postmodern return to an absolutist aesthetic
dc.publisheruga
dc.rightspublic
dc.subjectAesthetics
dc.subjectReligion
dc.subjectAesthetes
dc.subjectPost-Modernity
dc.subjectChristianity
dc.subjectArt
dc.subjectArtists
dc.titleReligion, the arts, and the artist : a postmodern return to an absolutist aesthetic
dc.typeThesis
dc.description.degreeMA
dc.description.departmentEnglish
dc.description.majorEnglish
dc.description.advisorCarl Rapp
dc.description.committeeCarl Rapp
dc.description.committeeJonathan Evans
dc.description.committeeRichard Menke


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