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dc.contributor.authorMoon, Jong Ah
dc.date.accessioned2014-03-04T21:03:03Z
dc.date.available2014-03-04T21:03:03Z
dc.date.issued2013-05
dc.identifier.othermoon_jong-ah_201305_dma
dc.identifier.urihttp://purl.galileo.usg.edu/uga_etd/moon_jong-ah_201305_dma
dc.identifier.urihttp://hdl.handle.net/10724/28832
dc.description.abstractIn the early part of the twentieth century, the Neoclassical style was a strong influence on violin works by composers such as Igor Stravinsky, Francis Poulenc, and Sergei Prokofiev. Through a recording project and an accompanying document, I will introduce distinctive styles of Neoclassical violin music within three works: Stravinsky’s Duo concertante (1932), Prokofiev’s Violin Sonata No. 2 in D Major, Op. 94 bis (1943), and Poulenc’s Violin Sonata, Op.119 (1942-1943). Through the performance and discussion, I explore ways to interpret these works in light of their Neoclassical elements.
dc.languageeng
dc.publisheruga
dc.rightspublic
dc.subjectNeoclassicism
dc.subjectNeoclassical violin music
dc.subjectIgor Stravinsky
dc.subjectSergei Prokofiev
dc.subjectFrancis Poulenc
dc.subjectDuo concertante
dc.subjectViolin Sonata No. 2
dc.subjectViolin Sonata Op. 119
dc.titleThree Neoclassical compositions for violin and piano
dc.title.alternativeStravinsky's Duo concertante, Prokofiev's Violin sonata no. 2 in D major, and Poulenc's Violin sonata op. 119
dc.typeDissertation
dc.description.degreeDMA
dc.description.departmentSchool of Music
dc.description.majorMusic
dc.description.advisorLevon Ambartsumian
dc.description.committeeLevon Ambartsumian
dc.description.committeeDavid Starkweather
dc.description.committeeDorothea Link


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