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dc.contributor.authorRumsey, Timothy Douglas
dc.date.accessioned2014-03-04T20:37:19Z
dc.date.available2014-03-04T20:37:19Z
dc.date.issued2012-08
dc.identifier.otherrumsey_timothy_d_201208_dma
dc.identifier.urihttp://purl.galileo.usg.edu/uga_etd/rumsey_timothy_d_201208_dma
dc.identifier.urihttp://hdl.handle.net/10724/28407
dc.description.abstractThis paper is an analysis of four recent musical compositions for chorus and orchestra: Benjamin Britten’s War Requiem, Leonard Bernstein’s Kaddish Symphony, Krzysztof Penderecki’s Credo, and Tim Rumsey’s Neither Life Nor Death. For each work, emphasis is placed on the role of text, form, musical style, and harmonic language in portraying a reconciliation theme. The inference of a reconciliation theme in each work is made based on the presence of a struggle between man and evil, man and sin, or man and God. A full score to Neither Life Nor Death is included.
dc.languageeng
dc.publisheruga
dc.rightspublic
dc.subjectBenjamin Britten
dc.subjectLeonard Bernstein
dc.subjectKrzysztof Penderecki
dc.subjectTim Rumsey
dc.titleSeeking reconciliation
dc.title.alternativean analysis of four works for chorus and orchestra by Bernstein, Britten, Penderecki, and Rumsey
dc.typeDissertation
dc.description.degreeDMA
dc.description.departmentSchool of Music
dc.description.majorMusic
dc.description.advisorRoger Vogel
dc.description.committeeRoger Vogel
dc.description.committeeAdrian Childs
dc.description.committeeLeonard Ball


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