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dc.contributor.authorStultz, Jessica Kristin
dc.date.accessioned2014-03-04T20:00:59Z
dc.date.available2014-03-04T20:00:59Z
dc.date.issued2011-05
dc.identifier.otherstultz_jessica_k_201105_phd
dc.identifier.urihttp://purl.galileo.usg.edu/uga_etd/stultz_jessica_k_201105_phd
dc.identifier.urihttp://hdl.handle.net/10724/27315
dc.description.abstractDorothy Fields was a Broadway lyricist and librettist. Long overlooked by scholarship, the work of Fields is landmark. For much of the Golden Age of the American musical, Fields was one of the only women writing for the Broadway theatre. As such, her voice is distinct in many ways. The project of this dissertation is to determine that voice and, in so doing, to establish her unique contribution to the canon of musical theatre.
dc.languageeng
dc.publisheruga
dc.rightspublic
dc.subjectDorothy Fields
dc.subjectBroadway
dc.subjectmusicals
dc.subjectGolden Age
dc.subjectlyricist
dc.subjectlibrettist
dc.subjectTony Awards
dc.subjectHerbert Fields
dc.subjectLew Fields
dc.subjectCy Coleman
dc.subjecttheatre
dc.title"Just enough woman for me"
dc.title.alternativean analysis of the unintentionally feminist lyrics of Dorothy Fields
dc.typeDissertation
dc.description.degreePhD
dc.description.departmentTheatre and Film Studies
dc.description.majorTheatre
dc.description.advisorFreda Giles
dc.description.committeeFreda Giles
dc.description.committeeJudith Sebesta
dc.description.committeeDavid Z. Saltz
dc.description.committeeJohn Kundert-Gibbs


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