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dc.contributor.authorHassel, Anja
dc.date.accessioned2014-03-04T19:59:11Z
dc.date.available2014-03-04T19:59:11Z
dc.date.issued2011-05
dc.identifier.otherhassel_anja_201105_ma
dc.identifier.urihttp://purl.galileo.usg.edu/uga_etd/hassel_anja_201105_ma
dc.identifier.urihttp://hdl.handle.net/10724/27152
dc.description.abstractBenjamin Lebert’s second novel Der Vogel ist ein Rabe has often been labeled as an example of popliterature, a genre that dominated the German book market of the late 1990s. In this paper, I argue that his text is instead heavily influenced by German expressionist literature of the early 20th century. Therefore, not only Der Vogel ist ein Rabe but also the concept of expressionist literature as a generational phenomenon that can only be understood in the social and aesthetic context of Modernity need to be re-evaluated.
dc.languageger
dc.publisheruga
dc.rightspublic
dc.subjectExpressionism
dc.subjectcontemporary German literature
dc.subjectBenjamin Lebert
dc.subjectDer Vogel ist ein Rabe
dc.title"Aber mein Herz atmete"
dc.title.alternativeexpressionistische Aesthetik und Thematik in Benjamin Leberts Der Vogel ist ein Rabe
dc.typeThesis
dc.description.degreeMA
dc.description.departmentGermanic and Slavic Studies
dc.description.majorGerman
dc.description.advisorMax Reinhart
dc.description.committeeMax Reinhart
dc.description.committeeRenate Born
dc.description.committeeBrechtje Beuker


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