Show simple item record

dc.contributor.authorGraffagnino, Maria
dc.date.accessioned2014-03-04T18:24:21Z
dc.date.available2014-03-04T18:24:21Z
dc.date.issued2009-12
dc.identifier.othergraffagnino_maria_j_200912_ma
dc.identifier.urihttp://purl.galileo.usg.edu/uga_etd/graffagnino_maria_j_200912_ma
dc.identifier.urihttp://hdl.handle.net/10724/26055
dc.description.abstractAlthough brief, the French writer Francis Wey’s acknowledgement and criticism of photography in the 1850s was among the earliest aesthetic analyses of the new medium. This study will explore his unusual affinity for paper photography, how his attraction toward the new medium echoed Realist concerns with the tangible, the contemporary, and the real, and his abrupt abandonment of the subject.
dc.languageeng
dc.publisheruga
dc.rightspublic
dc.subjectFrancis Wey
dc.subjectnineteenth-century photography
dc.subjectCharles Negre
dc.subjectGustave Courbet
dc.subjectRealism
dc.titleThrough a shifting lens
dc.title.alternativethe photo criticism of Francis Wey
dc.typeThesis
dc.description.degreeMA
dc.description.departmentArt
dc.description.majorArt History
dc.description.advisorAlisa Luxenberg
dc.description.committeeAlisa Luxenberg
dc.description.committeeJanice Simon
dc.description.committeeAsen Kirin


Files in this item

FilesSizeFormatView

There are no files associated with this item.

This item appears in the following Collection(s)

Show simple item record