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dc.contributor.authorWard, Michael Franklin
dc.date.accessioned2014-03-04T18:17:39Z
dc.date.available2014-03-04T18:17:39Z
dc.date.issued2009-05
dc.identifier.otherward_michael_f_200905_ma
dc.identifier.urihttp://purl.galileo.usg.edu/uga_etd/ward_michael_f_200905_ma
dc.identifier.urihttp://hdl.handle.net/10724/25699
dc.description.abstractThe following thesis is the culmination of three years of studying the fiction of the Japanese writer Murakami Haruki (1949- ) and various theories of modernism, postmodernism, and paramodernism of both Japanese and Western origin. In this thesis I map out both prewar and postwar Japanese modernism and how Murakami fits or does not fit into their parameters, map out how Murakami creates his own personal history in postmodern Japan, and how he acts as a paramodernist “filter” between East and West.
dc.languageeng
dc.publisheruga
dc.rightspublic
dc.subjectJapanese prewar modernism, Japanese postwar modernism, Murakami Haruki, Postmodernism, and Paramodernism
dc.titleWhat is modernity?
dc.title.alternativethe modernist, postmodernist, and paramodernist worlds in the fiction of Murakami Haruki
dc.typeThesis
dc.description.degreeMA
dc.description.departmentReligion
dc.description.majorReligion
dc.description.advisorCarolyn Medine
dc.description.committeeCarolyn Medine
dc.description.committeeHyangsoon Yi
dc.description.committeeSandy Dwayne Martin


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