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dc.contributor.authorBlalock, Marta
dc.date.accessioned2014-03-04T16:20:24Z
dc.date.available2014-03-04T16:20:24Z
dc.date.issued2008-12
dc.identifier.otherblalock_marta_z_200812_dma
dc.identifier.urihttp://purl.galileo.usg.edu/uga_etd/blalock_marta_z_200812_dma
dc.identifier.urihttp://hdl.handle.net/10724/25131
dc.description.abstractVítězslava Kaprálová might have been forgotten due to her untimely death during the World War II, however her music has resurfaced in the past decades and her name is well known in the Czech Republic. With no published edition of Kaprálová’s String Quartet, currently available instrumental parts and recordings vary from the original autograph. This study focuses on historical and theoretical analysis of the work, editorial suggestions, and performance issues. The original autograph is compared to two copyist manuscripts of individual parts as well as two available sound recordings.
dc.languageeng
dc.publisheruga
dc.rightspublic
dc.subjectVitezslava Kapralova
dc.subjectVítězslava Kaprálová
dc.subjectString quartet
dc.subjectCzech
dc.subjectMoravia
dc.subjectModernism
dc.subject1935
dc.subject1936
dc.subjectAnalysis
dc.subjectPerformance
dc.subjectWoman composer
dc.subjectWomen in music
dc.subjectString quartet tradition
dc.subjectFolk music
dc.titleAnalysis and performance problems of Vítězslava Kaprálová’s String quartet, op. 8 (1935-1936)
dc.typeDissertation
dc.description.degreeDMA
dc.description.departmentSchool of Music
dc.description.majorMusic
dc.description.advisorClint Taylor
dc.description.advisorLevon Ambartsumian
dc.description.committeeClint Taylor
dc.description.committeeLevon Ambartsumian
dc.description.committeeMark Neumann
dc.description.committeeStephen Valdez
dc.description.committeeAdrian Childs


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