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dc.contributor.authorWilliams, Jessica Leigh
dc.date.accessioned2014-03-04T02:53:17Z
dc.date.available2014-03-04T02:53:17Z
dc.date.issued2007-12
dc.identifier.otherwilliams_jessica_l_200712_ma
dc.identifier.urihttp://purl.galileo.usg.edu/uga_etd/williams_jessica_l_200712_ma
dc.identifier.urihttp://hdl.handle.net/10724/24523
dc.description.abstractThe overarching themes readers and critics find in W. H. Auden’s poetry are also found in his dramas and documentary films. By approaching both the dramas and films through this perspective, as well as through the perspective of performance, Auden’s ideas about collaborative work and their connection to his exploration of tensions between the community and the individual become clearer. Auden’s eventual abandonment of the groups with which he worked on these projects thus can be seen as a rejection of a public, political role for poetry.
dc.languageeng
dc.publisheruga
dc.rightspublic
dc.subjectW. H. Auden
dc.subjectPoetry
dc.subjectDrama
dc.subjectDocumentary
dc.subjectCollaboration
dc.subjectBritish Documentary Film movement
dc.subjectGroup Theatre
dc.title"For who can bear to feel himself forgotten?"
dc.title.alternativepoetry in the drama and documentary of W.H. Auden
dc.typeThesis
dc.description.degreeMA
dc.description.departmentEnglish
dc.description.majorEnglish
dc.description.advisorAidan Wasley
dc.description.committeeAidan Wasley
dc.description.committeeEmma Hunt
dc.description.committeeFran Teague


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