Show simple item record

dc.contributor.authorCostigan, Christopher James
dc.date.accessioned2014-03-04T02:50:10Z
dc.date.available2014-03-04T02:50:10Z
dc.date.issued2007-12
dc.identifier.othercostigan_christopher_j_200712_dma
dc.identifier.urihttp://purl.galileo.usg.edu/uga_etd/costigan_christopher_j_200712_dma
dc.identifier.urihttp://hdl.handle.net/10724/24383
dc.description.abstractThe purpose of this document is to provide an historical and performance based guide for the rhythm and blues saxophone style. Localized technical and stylistic innovations in Chicago, New Orleans, Memphis, New York, Cincinnati, and the West Coast area contributed to the development and codification of a standard R&B saxophone style. The intent of this document is to function as a guide to important R&B saxophonists, their respective contributions to the style, and to present annotated transcriptions completed by the author. Eighteen of the artists and transcriptions were selected from the 1940s through the 1960s with specific performances and or works chosen based on the historical significance and usage of the specific R&B saxophone technique. Transcriptions nineteen and twenty are from 1973 and 1995 respectively and display the preservation and persistence of the R&B saxophone style. Each transcription includes the solo for the saxophone performer. Each annotation includes, but is not limited to the title of the work, original artist and biographical information on the saxophone soloist, related dates, specific recording, theoretical analysis, extended techniques, and dramatic devices. Chapter I is entitled ÒOrganizational Plan and Review of Literature.Ó Chapter II, entitled ÒA Performers Guide to Rhythm and Blues Saxophone,Ó consists of the annotated analyses of selected transcriptions. The transcriptions appear in the transposed saxophone key providing the reader with an accurate account of the techniques employed by the performer. Chapter III, entitled ÒConclusion,Ó explores the contribution of individualized R&B saxophone innovations to the fully developed style, contains a final summary of the document, and suggests areas for further study.
dc.languageeng
dc.publisheruga
dc.rightspublic
dc.subjectSaxophone
dc.subjectRhythm and Blues
dc.subjectRhythm and Blues Saxophone
dc.subjectRock and Roll
dc.subjectRock and Roll Saxophone
dc.subjectSaxophone Transcriptions
dc.subjectAnnotated Transcriptions
dc.titleThe development of the rhythm and blues saxophone style
dc.title.alternativean analytical and performance based study
dc.typeDissertation
dc.description.degreeDMA
dc.description.departmentMusic
dc.description.majorMusic
dc.description.advisorKenneth Fischer
dc.description.committeeKenneth Fischer
dc.description.committeeRoger Vogel
dc.description.committeeStephen Valdez
dc.description.committeeClint Taylor
dc.description.committeeD. Ray McClellan


Files in this item

FilesSizeFormatView

There are no files associated with this item.

This item appears in the following Collection(s)

Show simple item record