• Login
    View Item 
    •   Athenaeum Home
    • University of Georgia Theses and Dissertations
    • University of Georgia Theses and Dissertations
    • View Item
    •   Athenaeum Home
    • University of Georgia Theses and Dissertations
    • University of Georgia Theses and Dissertations
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    The development of the rhythm and blues saxophone style

    Thumbnail
    Date
    2007-12
    Author
    Costigan, Christopher James
    Metadata
    Show full item record
    Abstract
    The purpose of this document is to provide an historical and performance based guide for the rhythm and blues saxophone style. Localized technical and stylistic innovations in Chicago, New Orleans, Memphis, New York, Cincinnati, and the West Coast area contributed to the development and codification of a standard R&B saxophone style. The intent of this document is to function as a guide to important R&B saxophonists, their respective contributions to the style, and to present annotated transcriptions completed by the author. Eighteen of the artists and transcriptions were selected from the 1940s through the 1960s with specific performances and or works chosen based on the historical significance and usage of the specific R&B saxophone technique. Transcriptions nineteen and twenty are from 1973 and 1995 respectively and display the preservation and persistence of the R&B saxophone style. Each transcription includes the solo for the saxophone performer. Each annotation includes, but is not limited to the title of the work, original artist and biographical information on the saxophone soloist, related dates, specific recording, theoretical analysis, extended techniques, and dramatic devices. Chapter I is entitled ÒOrganizational Plan and Review of Literature.Ó Chapter II, entitled ÒA Performers Guide to Rhythm and Blues Saxophone,Ó consists of the annotated analyses of selected transcriptions. The transcriptions appear in the transposed saxophone key providing the reader with an accurate account of the techniques employed by the performer. Chapter III, entitled ÒConclusion,Ó explores the contribution of individualized R&B saxophone innovations to the fully developed style, contains a final summary of the document, and suggests areas for further study.
    URI
    http://purl.galileo.usg.edu/uga_etd/costigan_christopher_j_200712_dma
    http://hdl.handle.net/10724/24383
    Collections
    • University of Georgia Theses and Dissertations

    Related items

    Showing items related by title, author, creator and subject.

    • an annotated bibliography of published repertoire and performance guide for saxophone-cello duos 

      Weber, Brent Michael (uga, 2014-05)
      Since 1953, the number of compositions for saxophone-cello duo has increased from one to nearly forty. Due to the short history of this genre, there is little research done specifically regarding this ensemble. This ...
    • Analytical concepts of elements of sonata theory applied to selected saxophone music of Jindřich Feld 

      Walters, Bart Adam (uga, 2012-05)
      The distinguished Czech composer Jindřich Feld (1925-2007) has composed in all genres of music with the vast majority of his output being chamber and large-scale instrumental works. In recent years, there has been increased ...
    • An annotated bibliography of selected published works for saxophone and percussion by North American composers 

      McGinnis, Barry Eugene (uga, 2002-05)
      The combination of saxophone and percussion instruments provides a wide variety of sound and timbre possibilities. This combination of instruments is unique to the twentieth century. The majority of works for this combination ...

    About Athenaeum | Contact Us | Send Feedback
     

     

    Browse

    All of AthenaeumCommunities & CollectionsBy Issue DateAuthorsTitlesSubjectsThis CollectionBy Issue DateAuthorsTitlesSubjects

    My Account

    LoginRegister

    About Athenaeum | Contact Us | Send Feedback