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dc.contributor.authorParent, Katie
dc.date.accessioned2014-03-04T02:34:04Z
dc.date.available2014-03-04T02:34:04Z
dc.date.issued2007-05
dc.identifier.otherparent_katherine_200705_mla
dc.identifier.urihttp://purl.galileo.usg.edu/uga_etd/parent_katherine_200705_mla
dc.identifier.urihttp://hdl.handle.net/10724/23949
dc.description.abstractLand artists and landscape architects are inextricably connected by an environmental sensitivity, by notions of time and space/place, and by the creative process, which hinge on scale, culture, and viewer and artist accessibility. Extremely valuable to landscape architects, this thesis begins with a look at the art historical and social context during and after the land art movement’s inception in the mid-1960’s. The thesis then progresses to in-depth studies of four contemporary land artists: Richard Long, Andy Goldsworthy, and Christo and Jeanne-Claude. Next, the thesis details the author’s two land art installations, which serve as applications of ideas learned. Finally, the thesis concludes with a detailed look at how land art can inspire and inform the work of landscape architects.
dc.languageeng
dc.publisheruga
dc.rightspublic
dc.subjectLandscape architecture
dc.subjectLand art
dc.subjectEarthworks
dc.subjectRichard Long
dc.subjectAndy Goldsworthy
dc.subjectChristo and Jeanne-Claude
dc.titleRepositioning
dc.title.alternativeland art and its connection to landscape architecture
dc.typeThesis
dc.description.degreeMLA
dc.description.departmentLandscape Architecture
dc.description.majorLandscape Architecture
dc.description.advisorMarianne Cramer
dc.description.committeeMarianne Cramer
dc.description.committeeBrian Rust
dc.description.committeeDavid Berle
dc.description.committeeMary Anne Akers


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