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dc.contributor.authorBrown, Gregory W.
dc.date.accessioned2014-03-04T01:08:13Z
dc.date.available2014-03-04T01:08:13Z
dc.date.issued2006-08
dc.identifier.otherbrown_gregory_w_200608_dma
dc.identifier.urihttp://purl.galileo.usg.edu/uga_etd/brown_gregory_w_200608_dma
dc.identifier.urihttp://hdl.handle.net/10724/23321
dc.description.abstractFernando Lopes-Graça's 24-volume Canç̃oes Regionais Portuguesas is an excellent subject for the study of the processes and implications of the adaptation of folk materials into the choral medium. This study considers the methods used to craft harmonizations of folk materials in light of Lopes-Graça's own writings about folksong harmonization, which state that we cannot forget to use the resources of harmony, counterpoint, and rhythm that we have in our modest technical arsenal in order to create a work of art. The identification of some of the methods utilized in selections from the 24 volumes will facilitate a discussion of their significance in relation to the writings of Lopes-Graça (and others) on the subject of folksong harmonization.
dc.languageeng
dc.publisheruga
dc.rightspublic
dc.subjectFernando Lopes-Graça
dc.subjectCançoes Regionais Portuguesas
dc.subjectChoral music
dc.subjectChoral arrangements
dc.subjectPortuguese folk music
dc.subjectPortugal
dc.subjectMusic
dc.subjectBéla Bartók
dc.subjectCharles Koechlin
dc.titleThe Canç̃oes Regionais Portuguesas of Fernando Lopes-Graça (1906-1994)
dc.title.alternativemethods and significance of the adaptation of folk materials into the choral medium
dc.typeDissertation
dc.description.degreeDMA
dc.description.departmentMusic
dc.description.majorMusic
dc.description.advisorAllen Crowell
dc.description.committeeAllen Crowell
dc.description.committeeGregory D. Romines
dc.description.committeeDavid Haas
dc.description.committeeAdrian P. Childs
dc.description.committeeMitos Andaya


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