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dc.contributor.authorVolk, David Paul
dc.date.accessioned2014-03-03T23:11:08Z
dc.date.available2014-03-03T23:11:08Z
dc.date.issued2004-12
dc.identifier.othervolk_david_p_200412_dma
dc.identifier.urihttp://purl.galileo.usg.edu/uga_etd/volk_david_p_200412_dma
dc.identifier.urihttp://hdl.handle.net/10724/22256
dc.description.abstractThe dissertation is in two parts. The first part is an original chamber opera in one act based on the short story A Good Man is Hard to Find by Flannery O’Connor. The opera is scored for flute, oboe, B-flat clarinet, bassoon, piano, violin I, violin II and violoncello. It employs a cast of ten singers. In addition to the acoustic accompaniment, the score synchronizes pre-recorded electronic sound throughout most of the opera. The second part of the dissertation is an analysis of the opera by the composer. The analysis includes a brief overview of compositional trends in contemporary chamber opera, a summary of the original story, a summary of the opera libretto written by the composer, an outline of the general form of the composition, consideration of the electronic score and its integration in the opera, a categorization of the scalar types employed in writing the principal motives and vocal melodies and an overview of the primary pitch-centers emphasized in each section of the opera.
dc.languageeng
dc.publisheruga
dc.rightspublic
dc.subjectChamber Opera
dc.subjectA Good Man is Hard to Find
dc.subjectFlannery O\'Connor
dc.subjectOpera with electronics
dc.titleAn analysis of A good man is hard to find, an original chamber opera in one-act based on the short story by Flannery O'Connor
dc.typeDissertation
dc.description.degreeDMA
dc.description.departmentMusic
dc.description.majorMusic
dc.description.advisorRoger Vogel
dc.description.committeeRoger Vogel
dc.description.committeeLeonard Ball
dc.description.committeeJolene Davis
dc.description.committeeWilliam Davis
dc.description.committeeStephen Valdez


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